• News
  • About
  • Performance
    • The Festival of Curves, Slopes and Detours (2018)
    • Facing (2012)
    • MKVH [Milton Keynes Vertical Horizontal] (2006)
    • The Volcano Lady (2004)
    • The Daily Hayley (2001)
    • Connotations Performance Images 1994-1998 (1998)
    • Ecomiss (1994)
  • Sound & music
    • Cafe Carbon by The Gluts (2009)
    • MiniFlux (2005)
    • Wrapping (2000)
    • Hook and Eye (1998)
    • Crystalline I, II and III (1997)
    • Shot in the Dark (1996)
    • Tour (1995)
    • Record (1994)
  • Textiles & works on paper
    • Tongue-tied (2019)
    • Histoire Economique (2011-14)
    • Domestique (2010-13)
  • Writing
    • Bastards (2019)
    • A to B in MK (2018)
    • Elfie und Eleonore (2013)
    • Common (2013)
    • The Smelly Hillock, 2010
    • MKVH [The Screenplay] (2007)
  • Collaborations
    • HAND (2018-2020)
    • Crisis Cabaret (2013)
    • Bankspeak (2009)
    • A Secret Sculpture (2006-7)
  • Covid
    • About this section
    • Pillows and Lungs (2020)
    • 2020
    • loss and anger, anger and loss (2020)
    • Legs (2020)
    • Wobbly lines for very difficult times (2020)
    • Keeping Track... (2020- )
    • Untitled (2021)
    • Slow (2021)
    • Switch (2021)
    • Letters + Envelopes (2021-2)
    • LifeLines (envelopes), 2021- 

Hayley Newman

Artist, performer, writer, teacher

  • News
  • About
  • Performance
    • The Festival of Curves, Slopes and Detours (2018)
    • Facing (2012)
    • MKVH [Milton Keynes Vertical Horizontal] (2006)
    • The Volcano Lady (2004)
    • The Daily Hayley (2001)
    • Connotations Performance Images 1994-1998 (1998)
    • Ecomiss (1994)
  • Sound & music
    • Cafe Carbon by The Gluts (2009)
    • MiniFlux (2005)
    • Wrapping (2000)
    • Hook and Eye (1998)
    • Crystalline I, II and III (1997)
    • Shot in the Dark (1996)
    • Tour (1995)
    • Record (1994)
  • Textiles & works on paper
    • Tongue-tied (2019)
    • Histoire Economique (2011-14)
    • Domestique (2010-13)
  • Writing
    • Bastards (2019)
    • A to B in MK (2018)
    • Elfie und Eleonore (2013)
    • Common (2013)
    • The Smelly Hillock, 2010
    • MKVH [The Screenplay] (2007)
  • Collaborations
    • HAND (2018-2020)
    • Crisis Cabaret (2013)
    • Bankspeak (2009)
    • A Secret Sculpture (2006-7)
  • Covid
    • About this section
    • Pillows and Lungs (2020)
    • 2020
    • loss and anger, anger and loss (2020)
    • Legs (2020)
    • Wobbly lines for very difficult times (2020)
    • Keeping Track... (2020- )
    • Untitled (2021)
    • Slow (2021)
    • Switch (2021)
    • Letters + Envelopes (2021-2)
    • LifeLines (envelopes), 2021- 

HAND archival software for artists: Hayley Newman and Bryan Reedy

TECHNOPOLITICS: 16. 12. 2019 @ 20:00

Studio Eckermann Nestler, 1030, Neulinggasse 9, Vienna

Bryan Reedy and I will be talking about our project HAND, archival software for artists which we have been working on since January 2017.

In 2016, I received a grant from the Art360 foundation to start archiving my performance work and Bryan Reedy helped digitise my analogue work. During this process I began to look for a database to host my archives. I was disappointed to find that the models available were expensive, focused on the art object and sales, and didn’t provide me with what I needed.

During this time Bryan built a prototype database to organise my work. Bryan is currently developing a specification for a more widely accessible, desktop version of the original web-based database. This open source software aims to provide an environment that does not privilege the art object or sales but instead creates a space in which research, documentation and social context exist alongside artworks and archive materials.

This project is supported by UCL’s HEIF Knowledge Exchange and Innovation Fund. 

HAND.jpg
Sunday 12.08.19
Posted by Hayley Newman
 

Hayley Newman, Tongue Tied, Matt's Gallery, 2 to 24 November

Hayley Newman, Unvisible, 2019, watercolour on paper, 14.8 x 21 cm. Courtesy of the artist and Matt's Gallery, London.

Hayley Newman, Unvisible, 2019, watercolour on paper, 14.8 x 21 cm. Courtesy of the artist and Matt's Gallery, London.

The lying. The lies. 
The loathing. The distaste. 
The name calling. 
The hot air of rant-rousing slivers, 
deaf to inequity. 

Tongue-tied is a collection of mute tongues that emit no words but communicate through pigment and shape. Static and singular, they divulge, bare and reveal. One vulnerable, another bold; ventriloqual expressions of cadence and timbre, of pattern, patter and the patois of speech.

Some are flamboyant, seductive and blustering, others compulsively lie and fib. Jargonistic, they leak lingo, wag and promise. Phoney phoneticians tie reality in knots, while foolish flap clappers, slippery with prejudice, are coiled with hostility.

Hungry and hoarse with disparity, others stutter through each precarious day; week; month; year. Invisible lexicons of disregarded glossaries. Unheard utterances on disenfranchised lips. Vulnerability on the tips of many.

Imagine the watercolours releasing themselves from their frames. Away from the wall, estranged tongues return to mouths and there is movement, exchange and dialogue; heart-to-hearts and tête-à-têtes. One tongue chatters and another natters; communicating in different languages and dialects. Kindness lingers on lips. Voices care, vocabularies are shared and the tender, persistent and precarious tongues come together.

Works presented inTongue-tied have been selected from an incidental archive of over 500 drawings, watercolours, texts and knitted textiles made by Hayley Newman since June 2018, all of which trace personal responses to a time of uncertainty and turbulence.

Tongue-tied will be accompanied by a new publication by Newman and Q2, the second instalment in our ongoing series of artist interviews.

For further information or visual material please contact us on 020 7237 0398 or email info@mattsgallery.org. 

Matt’s Gallery thanks the Arts Council England and Ron Henocq Fine Art for their generous support. 

Saturday 09.21.19
Posted by Hayley Newman
 

The Aerodrome – An exhibition dedicated to the memory of Michael Stanley. Ikon Gallery, 12 June — 8 September 2019

A to B in MK, installation shot, Ikon Gallery. Photo: Stuart Whipps

A to B in MK, installation shot, Ikon Gallery. Photo: Stuart Whipps

This exhibition is dedicated to the memory of Michael Stanley, Curator of Ikon before becoming Director of Milton Keynes Gallery and then Modern Art Oxford, who died tragically in 2012. Co curated with David Austen and George Shaw and structured loosely on Rex Warner’s 1941 wartime novel The Aerodrome, a book that made a great impression on Stanley, it includes many of the artists he worked with, all of whom held him in great affection and regarded him as one of their own. Jenny Saville, for example, whose first solo show in a British public gallery took place at MAO in the year of his death, describes Stanley as someone who “wasn’t scared of history or of being radical. He was as likely to be enthusing about working with a sculptor in his nineties, [as] raising funds to facilitate a young filmmakers’ vision. His poetic sensibility, combined with a can-do attitude where everything’s possible, is what made him so magnetic and convincing.”

Warner’s The Aerodrome, written during the Second World War, is an allegorical novel whose young hero is faced with the disintegration of certainties about his loved ones and with a choice between the earthy, animalistic life of his home village and the pure, efficient, emotionally detached life of an airman. Its dystopian vision was very influential on writers such as Orwell, Burgess and Ballard. In fact it is full of the imagery we think of now as Ballardian: modern dystopias, bleak man-made landscapes and the psychological effects of technological, social or environmental developments. In light of current affairs world-wide, including the rise of terrorism, listening secret states and drone warfare – symptomatic variously of a serious challenge to the democracy we too often take for granted – a rereading of Warner’s book, as the point of departure for such an exhibition, could not be more timely.

The Aerodrome is accompanied by a fully illustrated catalogue published by Ikon and Modern Art Oxford, featuring essays by artists David Austen, George Shaw, Carrie Stanley and Ikon’s Director Jonathan Watkins.

Artists: Phillip Allen / Polly Apfelbaum / David Austen / Karla Black / Simon & Tom Bloor / Boyd & Evans / Marcel Broodthaers / Marcus Coates / Nathan Coley / Phil Collins / John Constable / Michael Craig-Martin / Abraham Cruzvillegas / Shezad Dawood / Jeremy Deller and Alan Kane / dRMM Architects / Alec Finlay / Anya Gallaccio / John Gerrard / Siobhán Hapaska / Roger Hiorns / Lonnie Holley / Thomas Houseago / Langlands & Bell / Elizabeth Magill / Aleksandra Mir / Jean-Luc Moulène / Paul Nash / Hayley Newman / Adrian Paci / Susan Philipsz / Paul Ramírez Jonas / Kristian Ryokan / Michael Sailstorfer / Jenny Saville / George Shaw / Michael Stanley / Linder Sterling / Graham Sutherland / Phoebe Unwin / Wolfgang Weileder / Cathy Wilkes / Stephen Willats / Keith Wilson / Richard Woods / Gilberto Zorio

Sunday 07.21.19
Posted by Hayley Newman
 

Art in the City, 6.30pm Arnolfini Gallery, Bristol

UWE & Arnolfini present Hayley Newman - self-appointed 2011 Artist in Residence of the City of London.

Known for making performance and increasingly  writing, Newman's broad-ranging work explores humour, subjectivity, documentary practices and fiction. She create performances, interventions, music and texts and has made work in nightclubs, shops, on trains and marches, as well as for the concert hall or gallery. She works in a range of media including photography, video, textiles and sound.

During her self-appointed 2011 London residency, Newman wrote the novella Common, chronicling one day in the city, replete with social, economic and ecological crises -  crashes in global markets, turbulence in the Euro-zone, and riots on hot summer nights.

She has shown nationally and internationally and has recently been making work with cyclists in Milton Keynes.


Sunday 03.24.19
Posted by Hayley Newman
 

Vocalis, Beaconsfield, 25th January, 2019

emailer vocalis.jpg

Gina Birch, Honey Birch and I will be vibrating our vocal chords at this on the 25th of January.

Friday 01.18.19
Posted by Hayley Newman
 
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All works copyright Hayley Newman and their respective authors, 2025