• News
  • About
  • Performance
    • The Festival of Curves, Slopes and Detours (2018)
    • Facing (2012)
    • MKVH [Milton Keynes Vertical Horizontal] (2006)
    • The Volcano Lady (2004)
    • The Daily Hayley (2001)
    • Connotations Performance Images 1994-1998 (1998)
    • Ecomiss (1994)
  • Sound & music
    • MiniFlux (2005)
    • Wrapping (2000)
    • Hook and Eye (1998)
    • Crystalline I, II and III (1997)
    • Shot in the Dark (1996)
    • Tour (1995)
    • Record (1994)
  • Textiles & works on paper
    • Tongue-tied (2019)
    • Histoire Economique (2011-14)
    • Domestique (2010-13)
  • Writing
    • Bastards (2019)
    • A to B in MK (2018)
    • Elfie und Eleonore (2013)
    • Common (2013)
    • The Smelly Hillock, 2010
    • MKVH [The Screenplay] (2007)
  • Collaborations
    • HAND (2018-2020)
    • Crisis Cabaret (2013)
    • Cafe Carbon by The Gluts (2009)
    • Bankspeak (2009)
    • A Secret Sculpture (2006-7)
  • Covid
    • About this section
    • Pillows and Lungs (2020)
    • 2020
    • loss and anger, anger and loss (2020)
    • Legs (2020)
    • Wobbly lines for very difficult times (2020)
    • Keeping Track... (2020- )
    • Untitled (2021)
    • Slow (2021)
    • Switch (2021)
    • Letters + Envelopes (2021-2)
    • LifeLines (envelopes), 2021- 

Hayley Newman

Artist, performer, writer, teacher

  • News
  • About
  • Performance
    • The Festival of Curves, Slopes and Detours (2018)
    • Facing (2012)
    • MKVH [Milton Keynes Vertical Horizontal] (2006)
    • The Volcano Lady (2004)
    • The Daily Hayley (2001)
    • Connotations Performance Images 1994-1998 (1998)
    • Ecomiss (1994)
  • Sound & music
    • MiniFlux (2005)
    • Wrapping (2000)
    • Hook and Eye (1998)
    • Crystalline I, II and III (1997)
    • Shot in the Dark (1996)
    • Tour (1995)
    • Record (1994)
  • Textiles & works on paper
    • Tongue-tied (2019)
    • Histoire Economique (2011-14)
    • Domestique (2010-13)
  • Writing
    • Bastards (2019)
    • A to B in MK (2018)
    • Elfie und Eleonore (2013)
    • Common (2013)
    • The Smelly Hillock, 2010
    • MKVH [The Screenplay] (2007)
  • Collaborations
    • HAND (2018-2020)
    • Crisis Cabaret (2013)
    • Cafe Carbon by The Gluts (2009)
    • Bankspeak (2009)
    • A Secret Sculpture (2006-7)
  • Covid
    • About this section
    • Pillows and Lungs (2020)
    • 2020
    • loss and anger, anger and loss (2020)
    • Legs (2020)
    • Wobbly lines for very difficult times (2020)
    • Keeping Track... (2020- )
    • Untitled (2021)
    • Slow (2021)
    • Switch (2021)
    • Letters + Envelopes (2021-2)
    • LifeLines (envelopes), 2021- 

Facing (2012)

Facing was a solo performance in which I animated a selection of embroidered dishcloths from my series Domestique.

At the end of the performance the audience were invited to wear T-shirts with punctuation marks printed on them; wearing an exclamation mark or a semi-colon, people stood next to each other and created emoticons together.

The two sections of the performance were connected by a monologue, in which I spoke of links between the invisible labour embodied by the used dishcloths and T-shirts.

Facing asked questions about how we relate to each other? What happens (as with the anonymity of sweatshop labourers) when a workers labour remains unseen, their face no longer present?

The performance happened at the Cornerhouse in Manchester in March 2012 in the context of ‘Between’, a season of new performance art commissions designed to take place in empty galleries between exhibitions. The project was curated by Louise Adkins and featured new performance works by Patricia Baga (USA), Annika Ström (SWE), Ruth Barker (UK) Helen Collett, Lois Macdonald (UK) and Louise Adkins (UK).

Photographs by Jonathan Purcell

Video by Matt Wand.

Related work: Domestique

HayleyNewman_Facing_Photo_Jonathan Purcell-2.jpg
HayleyNewman_Facing_Photo_Jonathan Purcell-8.jpg
HayleyNewman_Facing_Photo_Jonathan Purcell-9.jpg
HayleyNewman_Facing_Photo_Jonathan Purcell-5.jpg
HayleyNewman_Facing_Photo_Jonathan Purcell-6.jpg
HayleyNewman_Facing_Photo_Jonathan Purcell-20.jpg

All works copyright Hayley Newman and their respective authors, 2025