• News
  • About
  • Performance
    • The Festival of Curves, Slopes and Detours (2018)
    • Facing (2012)
    • MKVH [Milton Keynes Vertical Horizontal] (2006)
    • The Volcano Lady (2004)
    • The Daily Hayley (2001)
    • Connotations Performance Images 1994-1998 (1998)
    • Ecomiss (1994)
  • Sound & music
    • MiniFlux (2005)
    • Wrapping (2000)
    • Hook and Eye (1998)
    • Crystalline I, II and III (1997)
    • Shot in the Dark (1996)
    • Tour (1995)
    • Record (1994)
  • Textiles & works on paper
    • Tongue-tied (2019)
    • Histoire Economique (2011-14)
    • Domestique (2010-13)
  • Writing
    • Bastards (2019)
    • A to B in MK (2018)
    • Elfie und Eleonore (2013)
    • Common (2013)
    • The Smelly Hillock, 2010
    • MKVH [The Screenplay] (2007)
  • Collaborations
    • HAND (2018-2020)
    • Crisis Cabaret (2013)
    • Cafe Carbon by The Gluts (2009)
    • Bankspeak (2009)
    • A Secret Sculpture (2006-7)
  • Covid
    • About this section
    • Pillows and Lungs (2020)
    • 2020
    • loss and anger, anger and loss (2020)
    • Legs (2020)
    • Wobbly lines for very difficult times (2020)
    • Keeping Track... (2020- )
    • Untitled (2021)
    • Slow (2021)
    • Switch (2021)
    • Letters + Envelopes (2021-2)
    • LifeLines (envelopes), 2021- 

Hayley Newman

Artist, performer, writer, teacher

  • News
  • About
  • Performance
    • The Festival of Curves, Slopes and Detours (2018)
    • Facing (2012)
    • MKVH [Milton Keynes Vertical Horizontal] (2006)
    • The Volcano Lady (2004)
    • The Daily Hayley (2001)
    • Connotations Performance Images 1994-1998 (1998)
    • Ecomiss (1994)
  • Sound & music
    • MiniFlux (2005)
    • Wrapping (2000)
    • Hook and Eye (1998)
    • Crystalline I, II and III (1997)
    • Shot in the Dark (1996)
    • Tour (1995)
    • Record (1994)
  • Textiles & works on paper
    • Tongue-tied (2019)
    • Histoire Economique (2011-14)
    • Domestique (2010-13)
  • Writing
    • Bastards (2019)
    • A to B in MK (2018)
    • Elfie und Eleonore (2013)
    • Common (2013)
    • The Smelly Hillock, 2010
    • MKVH [The Screenplay] (2007)
  • Collaborations
    • HAND (2018-2020)
    • Crisis Cabaret (2013)
    • Cafe Carbon by The Gluts (2009)
    • Bankspeak (2009)
    • A Secret Sculpture (2006-7)
  • Covid
    • About this section
    • Pillows and Lungs (2020)
    • 2020
    • loss and anger, anger and loss (2020)
    • Legs (2020)
    • Wobbly lines for very difficult times (2020)
    • Keeping Track... (2020- )
    • Untitled (2021)
    • Slow (2021)
    • Switch (2021)
    • Letters + Envelopes (2021-2)
    • LifeLines (envelopes), 2021- 

HAND archival software for artists: Hayley Newman and Bryan Reedy

TECHNOPOLITICS: 16. 12. 2019 @ 20:00

Studio Eckermann Nestler, 1030, Neulinggasse 9, Vienna

Bryan Reedy and I will be talking about our project HAND, archival software for artists which we have been working on since January 2017.

In 2016, I received a grant from the Art360 foundation to start archiving my performance work and Bryan Reedy helped digitise my analogue work. During this process I began to look for a database to host my archives. I was disappointed to find that the models available were expensive, focused on the art object and sales, and didn’t provide me with what I needed.

During this time Bryan built a prototype database to organise my work. Bryan is currently developing a specification for a more widely accessible, desktop version of the original web-based database. This open source software aims to provide an environment that does not privilege the art object or sales but instead creates a space in which research, documentation and social context exist alongside artworks and archive materials.

This project is supported by UCL’s HEIF Knowledge Exchange and Innovation Fund. 

HAND.jpg
Sunday 12.08.19
Posted by Hayley Newman
Newer / Older

All works copyright Hayley Newman and their respective authors, 2025