• News
  • About
  • Performance
    • The Festival of Curves, Slopes and Detours (2018)
    • Facing (2012)
    • MKVH [Milton Keynes Vertical Horizontal] (2006)
    • The Volcano Lady (2004)
    • The Daily Hayley (2001)
    • Connotations Performance Images 1994-1998 (1998)
    • Ecomiss (1994)
  • Sound & music
    • MiniFlux (2005)
    • Wrapping (2000)
    • Hook and Eye (1998)
    • Crystalline I, II and III (1997)
    • Shot in the Dark (1996)
    • Tour (1995)
    • Record (1994)
  • Textiles & works on paper
    • Tongue-tied (2019)
    • Histoire Economique (2011-14)
    • Domestique (2010-13)
  • Writing
    • Bastards (2019)
    • A to B in MK (2018)
    • Elfie und Eleonore (2013)
    • Common (2013)
    • The Smelly Hillock, 2010
    • MKVH [The Screenplay] (2007)
  • Collaborations
    • HAND (2018-2020)
    • Crisis Cabaret (2013)
    • Cafe Carbon by The Gluts (2009)
    • Bankspeak (2009)
    • A Secret Sculpture (2006-7)
  • Covid
    • About this section
    • Pillows and Lungs (2020)
    • 2020
    • loss and anger, anger and loss (2020)
    • Legs (2020)
    • Wobbly lines for very difficult times (2020)
    • Keeping Track... (2020- )
    • Untitled (2021)
    • Slow (2021)
    • Switch (2021)
    • Letters + Envelopes (2021-2)
    • LifeLines (envelopes), 2021- 

Hayley Newman

Artist, performer, writer, teacher

  • News
  • About
  • Performance
    • The Festival of Curves, Slopes and Detours (2018)
    • Facing (2012)
    • MKVH [Milton Keynes Vertical Horizontal] (2006)
    • The Volcano Lady (2004)
    • The Daily Hayley (2001)
    • Connotations Performance Images 1994-1998 (1998)
    • Ecomiss (1994)
  • Sound & music
    • MiniFlux (2005)
    • Wrapping (2000)
    • Hook and Eye (1998)
    • Crystalline I, II and III (1997)
    • Shot in the Dark (1996)
    • Tour (1995)
    • Record (1994)
  • Textiles & works on paper
    • Tongue-tied (2019)
    • Histoire Economique (2011-14)
    • Domestique (2010-13)
  • Writing
    • Bastards (2019)
    • A to B in MK (2018)
    • Elfie und Eleonore (2013)
    • Common (2013)
    • The Smelly Hillock, 2010
    • MKVH [The Screenplay] (2007)
  • Collaborations
    • HAND (2018-2020)
    • Crisis Cabaret (2013)
    • Cafe Carbon by The Gluts (2009)
    • Bankspeak (2009)
    • A Secret Sculpture (2006-7)
  • Covid
    • About this section
    • Pillows and Lungs (2020)
    • 2020
    • loss and anger, anger and loss (2020)
    • Legs (2020)
    • Wobbly lines for very difficult times (2020)
    • Keeping Track... (2020- )
    • Untitled (2021)
    • Slow (2021)
    • Switch (2021)
    • Letters + Envelopes (2021-2)
    • LifeLines (envelopes), 2021- 

Poetic Biopolitics: Practices of Relation in Architecture and the Arts, edited by Peg Rawes, Stephen Loo and Tim Matthews, published by I.B.Tauris, UK, 2016

Spaghetti Carbonorama song lyrics and drawing by The Gluts

Spaghetti Carbonorama song lyrics and drawing by The Gluts

As the French philosopher and social theorist Michel Foucault defined the concept, 'biopolitics' is the extension of state control over both the physical and political bodies of a population. Poetic Biopolitics is a positive attempt to explain and show how the often destructive effects and affects of biopolitical power structures can be deconstructed not only critically but poetically in the arts and humanities: in architecture, art, literature, modern languages, performance studies, film and philosophy. It is an interdisciplinary response to the contemporary global crisis of community conflict, social and environmental wellbeing. Structured in three parts - biopolitical bodies and imaginaries, voices and bodies, and social and environmental turbulence - this innovative book meshes performative and visual poetics with critical theory and feminist philosophy. It examines the complex expressions of our physical and psychic lives through artefact, body, dialogue, image, installation and word.

Poetic Biopolitics: Practices of Relation in Architecture and the Arts includes a chapter with lyrics, writings and drawings by The Gluts .

Sunday 05.29.16
Posted by Hayley Newman
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All works copyright Hayley Newman and their respective authors, 2025